(1958) Los hijos muertos (Premio de la Crítica, Premio Nacional de Literatura).(1955) En esta tierra (republished as Luciérnagas in 1993, translated as Fireflies).
(1953) Fiesta al noroeste (translated as Celebration in the Northwest) (Premio Café Gijón).(1949) Luciérnagas (blocked by censors, republished as En esta tierra in 1955) (semifinalist for Premio Nadal).(1948) Los Abel (finalist for Premio Nadal).Contents include from Algunos muchachos: "Prologue" (2:54) "El rey de los zennos - I" (min.
#Pecado de omision ana maria matute archive
The recording of Matute herself is located in the Archive of Hispanic Literature, which can be located online. Recorded on, this Spanish author recorded her reading of this work in Spanish at the Library of Congress. The Hispanic Division, located at the Library of Congress in Washington, DC, has a special recording of Ana María Matute herself reading from her prose work Algunos muchachos. On 25 June 2014, Matute died of a heart attack at the age of 88, and was laid to rest in the Cemetery of Montjuïc, Barcelona. Her other literary prizes included the Planeta Prize and the Café Gijón Prize. She won the Premio Nadal in 1958 for the first novel of the trilogy, Los Mercaderes. She was an honorary member of the Hispanic Society of America and a member of the American Association of Teachers of Spanish and Portuguese. She was also a guest lecturer at the universities of Oklahoma, Indiana and Virginia. She was invited to speak at Brigham Young University in Utah on 12 March 1990, where she gave a lecture on Working the Craft of Translation in Spanish. In 1978, she was a visiting professor at the University of Virginia. She lectured at the Tatem Arts Center of Hood College in Maryland on 28 April 1969. Her academic work in the United States spanned four decades, beginning as early as 1966 when she spoke at Our Lady of Cincinnati College. She studied at the international school at Hilversum, Netherlands, and traveled to various countries as a lecturer or guest instructor. She was outspoken about subjects such as the benefits of emotional suffering, the constant changing of a human being, and how innocence is never completely lost. She often interjected such elements as myth, fairy tale, the supernatural, and fantasy into her works. Matute was known for her sympathetic treatment of the lives of children and adolescents, their feelings of betrayal and isolation, and their rites of passage. She published her first story, The Boy Next Door, when she was only 17 years old. At least once she was fined because of her writings. Her work was heavily censored under Franco and she was blacklisted from working as a journalist. Since Matute matured as a writer in this posguerra period under the dictatorship, some of the most recurrent themes in her works are violence, alienation, misery, and especially the loss of innocence. įollowing the Nationalist victory in 1939, Francisco Franco established a military dictatorship, which lasted thirty-six years until his death in 1975. She considered not only "the battles between the two factions, but also the internal aggression within each side". Matute was ten years old when the Spanish Civil War broke out in 1936, and this internecine conflict is said to have had the greatest impact on Matute's writing. Settings reminiscent of that town are also often used as settings for her other work. This influence can be seen in such works as those published in her 1961 collection Historias de la Artámila ( Stories from Artámila), all of which deal with the people that Matute met during her recovery. Matute says that she was profoundly influenced by the villagers whom she met during her time there.
At the age of four she almost died from a chronic kidney infection, and was taken to live with her grandparents in Mansilla de la Sierra, a small town in the mountains, for a period of recovery.